Studio & Environment

My studio practice is shaped by the landscape around me. Volcanic terrain, ancient geological formations, ochre earth and naturally weathered surfaces inform my use of colour and material. I draw on the resources available to me, allowing the qualities and limitations of these materials to guide the development of each painting.

This landscape holds contradictions. Its natural rawness, beauty and ancestry attract people from across the world, while tourism, rising housing costs and areas of neglect create underlying tensions around identity, protection and belonging. The same place can be an object of desire, a home, a source of livelihood and a space of exclusion.

I am interested in the stories that emerge from these tensions: the narratives a place tells about itself, the images circulated beyond it, and the realities that remain less visible. These contemporary narratives sit alongside older histories, inherited beliefs and local folklore, shaping how people understand the land and their place within it.

This relationship informs my interest in modern folklore — the stories and shared assumptions through which we make sense of the world. I consider how ideas of value, ownership and belonging become established, and how they change when lived experience contradicts the image a place presents.

The images gathered here document my surroundings and their influence on my practice. They record the colours, textures and changing surfaces of the landscape, as well as the contrasts that shape my understanding of it. These observations find their way into my paintings through material experimentation, layering and the transformation of surfaces.