Latest Work.

Spring & Summer 2025

Yields of Time

Latest Work — Spring & Summer 2025
This body of work emerges from the shifting seasons of spring and summer, created with earth pigments, clay, terracotta, and oils. Rooted in natural materials, the pieces explore time as a living presence—layered, eroded, and renewed.

Each work reflects on cycles of change and the memory carried within landscapes and the body. The tides, river beds, and weathered surfaces of the natural world become metaphors for impermanence and endurance. What is revealed, and what is left behind, speaks to letting go and to the quiet beauty found in transformation.

Through organic structures and ancestral echoes, the collection holds a dialogue between decay and growth, fragility and strength, presence and absence. These works are offerings—traces of earth and time translated into form.

The Shift. Inspired by the shifting tides and the river bed, this piece reflects on cycles of change and the passage of time. What remains at low tide becomes a quiet reminder of release and let go.

Love and Ego. This piece mirrors the meeting of water and rock—love’s fluidity against ego’s solidity. The surface shifts between reflection and resistance, suggesting how relationships hold both tenderness and tension. Through layered pigments and organic forms, the piece meditates on balance, surrender, and the spaces where softness meets strength.

Echo in Clay. Formed from black clay, terracotta, olive oil, and earth pigments, this work embodies raw materiality. Layers of texture and tone evoke the grounding weight of the earth, holding both ancient memory and contemporary presence.

Salt on the Earth. Created with basalt rock, this piece grounds itself in the elemental strength of the earth—honoring resilience, endurance, and the raw essence of nature.

Echoes below. Layers of blue, clay and charcoal trace the quiet erosion of time, revealing what lies beneath the surface—hidden depths, memory, and the whispers the earth carries below.

Entering the Water. Our Body, our Skin. One Body, One Skin. We are vibrating with energy, with history. We carry the Earth, we carry Water, we seek to smooth, to blur, to soften what feels revealing. With Clay we can be moulded, we dry, we crack, we are thirsty. With the water we become milky, chalky and absorbing.

Frozen Boarders. Formed with plant wax and plaster, this work reflects on frozen water as both fragile and enduring. Inspired by the movements of land, people and the changing climate, it speaks to the tension of ownership, stillness and transformation—ice as a temporary pause, holding memory before the inevitable release.

We have a window. Sea foam blues and terracotta clay form layered surfaces, cracked like shifting windows. The work reflects on the fleeting pace of modern connection—what we can reveal, and what remains unseen, in the small openings of time we share.

Dark infused. Carbon Black, Amber Pigments. The dark can be soft too, ethereal and deeply nourishing. Like the depths of winter and rest, when we yield to the pain, the shadow, there is ease. The fight ceases, holding the space for the heavy, the light is infused with depth.